As a bonus, here are two inferior cover versions of the CRAAB Anthem Tarzan Boy:
bluz et bongo – tarzan boy
Asculta mai multe audio Muzica
Ian Lex – Tarzan boy
Asculta mai multe audio Muzica
Archive for the ‘Kohlwork’ Category
Give Me the Almond – Part 6: Fan Art & Cover Versions
Friday, August 20th, 2010Reluctantly
Saturday, July 3rd, 2010
One of Many Past Incarnations
Friday, June 18th, 2010
Lighter-Than-Air Transdimensional CRAAB-Ship
Friday, May 21st, 2010
Rise and Shyne
Saturday, April 10th, 2010
The CRAAB CD
Friday, April 2nd, 2010
1. Tarzan Boy – Baltimora
2. The Touch – Stan Bush
3. Going the Distance – Cake
4. Ame Ga Furu – The Boom
5. Get Out of My Way – D Rok
6. Yoda – Weird Al Yankovic
7. Mission Impossible – U2
8. Mummer’s Dance – Loreena McKennitt
9. Spider – They Might be Giants
10. Mortal Kombat – Immortals
11. Cricket – Mannheim Steamroller
12. Renegade – D Rok
13. Kung Fu Fighting – Carl Douglas
14. Transformers – Lion
15. The Mighty Quinn (Freedom Rock/Bij Version) – Manfred Mann
16. Tubthumping – Chumbawumba
17. Shima Utau – The Boom
44. The Last Unicorn – Kenny Loggins
The Motorball Court
Friday, March 26th, 2010
Drawn entirely from memory in 2001
刀
Friday, February 26th, 2010
Buddy Pass 1999
Friday, October 16th, 2009
Ten years ago, a member of CRAAB took a PhotoShop class at MCC and created this picture. The assignment was to design a cover for a magazine of the student’s choice. What “magazine” did this CRAAB choose to design for? CraabQuinoX.
In this picture, a then blond, Agent 44 is firing his gun at an off screen enemy while Katana holds onto both Agent 44‘s tactical harness and a towline coming from what appears to be a red Bell X-1 flying over New York City. Notice the photo-real detail on the buildings, the plane, and the bottom of the boots compared to the comic-book like rendering of the pictured CRAABs themselves. This was done intentionally to cover the artist’s inability to draw geometric shapes and backgrounds. Notice also the Gaussian Blur aura popping our heroes out from the background. This was a technique heavily used by this artist during, what has been dubbed, his “Filter Abuse Period”.
Upon completion, this piece was given the name of “Buddy Pass” for lack of a better title.
